A few weeks ago I mentioned my disdain for Henry Rollins. I received a few emails asking why. Well, I'll save the reasons for another day, but you can be sure that this old interview at the Modern Word is just one of many examples of the crap that comes out of his piehole that has pissed me off:
Neddal Ayad: I’m talking to you for a Web site called The Modern
Word. They cover writers like Kathy Acker, J.G. Ballard, Ezra Pound,
Faulkner...
Henry Rollins: Yeah, just so you know, that kind of writing never really did much for me. I knew Kathy more that I read Kathy.
They’re also big fans of Nick Cave over there.
Yeah, and we’ve published Nick here.
And William S. Burroughs, and Hubert Selby Jr.
Cubby
[Hubert Selby Jr.’s middle name/nickname] is a long time friend of
mine. But a guy like Burroughs, I tried to get through a few Burroughs
books and was never able actually to complete Cities of Red Night, Exterminator, all that stuff, I could never punch through them.
Was it the style, or...
It never held me. That whole Re/Search magazine gang, you know, my life experience was so street level, on the ground touring. I remember reading On the Road by
Kerouac in ’82 and the only thing that occurred to me was, “Kerouac,
what a pussy,” because it was so nothing like what I was enduring on
the road. I was watching people get stabbed and I was seeing some
pretty rough stuff.
That’s interesting; I was going to ask you about the Beats, because...
Kerouac, I can’t stand, I don’t see what the fascination is. I’ve tried Visions of Gerard, Desolation Angels... I got through part of the Cody book. Desolation Angels I tried to read as a favour to a friend of mine. I couldn’t get through it. On the Road I got through because it was the only book at SST to read. But the rest of it... I just can’t identify with it.
You’re tossed in with the Beat writers.
That’s too bad. Allan Ginsberg’s poetry I’ve enjoyed. I was raised with Kaddish and Howl. I think Howl
is one of the strongest pieces of American literature, I mean, at that
point. That’s one of those things you really wish you had written, you
know, it’s a beautiful piece of work.
Seriously, who threw that jackass in with the Beat writers? Have they actually read his stuff or the Beats? My head is spinning.